Seyed Amir Seyedzadeh, a cinema producer, said in an interview with a reporter from the Cultural Group of the Young Journalists Club about the reason why the audience did not welcome the cinema, considering that various tricks and strategies have been considered by the cinema organization to attract the audience: In order to keep the lights on, we had to pay attention to some central points that were not realized as they should have been; One is that we do not have the necessary standards and health supplies to diagnose and isolate the audience with viral and healthy symptoms; As a result, carriers and non-carriers enter an enclosed environment, and in such a situation, the audience has the right not to go to the cinema.
He added: “The next reason for the low popularity of cinema in the current situation is that we do not have a quality product; A film that the audience takes a risk and comes and sees it in accordance with health protocols. The third case is the interior of cinemas, which was not built for such days.
The producer continued: The different points of view and strategies of cultural directors are also one of the reasons for rejecting the audience; Because what they say does not make sense to them and they are undecided about it. Loved ones do not think that the cinema should be closed until the virus is eradicated and reopened after the danger is eliminated.
In the end, Seyedzadeh stated: In the meantime, a very important point must be considered; If the audience becomes accustomed to not going to the cinema when the cinemas are open (these days of cinema), it will not matter to them whether they go to the cinema or not, even when the virus is gone. If this becomes an epidemic, it will be dangerous for the cinema as a whole in the long run. Therefore, the complete closure of the cinema makes the audience feel thirsty and makes the films very receptive after reopening at the time of complete elimination of the danger.