Seyed Amir Seyedzadeh, a cinema producer, said about the online screening of his films during the Corona era: “I don’t know if we were successful in showing online or not, that’s why I prefer to take my films to the cinema, even if the reopening takes another year, after that.” I have the opportunity to play online and on the home theater network, because if I screen movies online in this situation, the smuggled version will be released in the market very quickly.
He added: “On the other hand, it is not clear how much a particular art film sells. For example, not all films like” Hazarpa “have high sales and maximum audience attraction, so there is a risk that the film will have low sales and smuggling.” And we can do nothing.
The producer of “No. 17 Soheila” continued: “It is not the case that the cinema does not start. Finally, the time comes when cinemas reopen and people go to the cinema, so it does not matter if the film stays behind the lines for another year.”
Regarding the reopening of cinemas, he said: “If you notice that the number of people with coronary heart disease has increased after the start of various jobs, then I personally do not see the opening of cinemas, because there are many dangers and there is no risk until the coronary vaccine is discovered and protected.”
Seyedzadeh added: “On the other hand, due to the second wave of Corona, which is said to cover the country from autumn, we need to produce products online, that is, we must produce products that are useful for online display and its type and quality are important to attract the audience.” I agree with others that I agree with the production of mini-series, series and online talk shows, because smuggling and its risk factor are lower.
Seyedzadeh, pointing out that the period of words and slogans is over, said: The government and the Ministry of Guidance should enter the discussion of smuggling works, because the period of words and slogans is over and they should definitely enter the field of pragmatism and solve the issue of smuggling. If they themselves do not decide to do so, they should suppress it in another way.
“When hard-to-produce products are easily smuggled, we find that there is a hand in the work, and there are stakeholders as to what person or persons they are smuggling aside, the important question is why they are not dealt with!”
Saying a memory of smuggling a movie on Instagram, Seyedzadeh said: “In the meeting I had with Mohammad Shayesteh, he said that in the middle of the night, he smuggled the movie” Gold “on one of his Instagram pages and made it available on IGTV until midnight.” I did not transfer the money to his account, he did not take it, see how far the disaster has gone!
He added: “If the law and the man are practical to prevent this, the body of the trafficker will tremble and will not allow himself to do so at all, so there is a safe margin for them to do so easily.” The safe margin of non-judicial action, lack of anti-copyright law, cooperation of stakeholders from within ministries and official bodies with these smugglers, is the lack of proper treatment of FATA police. It is a fact.
The producer said: “I honestly say that everyone is involved in the smuggling of a product together. If they do not have a hand, they can easily stop and protect it. In this case, I personally strongly defend online screening and present my products first.” I do, because I know it will be shown for a month or two, it will not be smuggled and the minimum money I spent will be returned.
Seyedzadeh continued: “Filmio and Namava have millions of active audiences, which logic says can be achieved without smuggling and with this number of audiences, good achievements can be achieved and at least one cost can be achieved, and these two tribunes also benefit, but in the current situation and After the immediate smuggling, besides us, they also become paralyzed.
